{"id":1249,"date":"2022-09-20T04:33:48","date_gmt":"2022-09-20T04:33:48","guid":{"rendered":"http:\/\/www.balimakaryafilmfestival.id\/id\/?page_id=1249"},"modified":"2022-10-09T06:34:48","modified_gmt":"2022-10-09T06:34:48","slug":"the-other-side-of-asia","status":"publish","type":"page","link":"https:\/\/www.balimakaryafilmfestival.id\/en\/program-film\/the-other-side-of-asia\/","title":{"rendered":"The Other Side of Asia"},"content":{"rendered":"<h1>Joyland <span style=\"font-size: 18pt;\">(Pakistan\/AS | 2022 | 126 Minutes)<\/span><\/h1>\n<p><strong>Official Selection at Cannes Film Festival<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td><span style=\"color: #ff9900;\"><strong>19 Oct 13.00 Beachwalk XXI Studio 2<\/strong><\/span><\/td>\n<td><span style=\"color: #ff9900;\"><strong>20 Oct 17.00 Park 23 XXI Studio 2<\/strong><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"gca-column one-half first\"><p><div class=\"sutradara\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1253\" src=\"http:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Feature_joyland.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Feature_joyland.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Feature_joyland-300x200.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Feature_joyland-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/div><\/p><\/div>\n<div class=\"gca-column one-half\"><div class=\"responsive-tabs\">\n<h2 class=\"tabtitle\">Synopsis<\/h2>\n<div class=\"tabcontent\">\n\n<p>In the heart of the metropolitan yet conservative city of Lahore lives the Rana family, a lower middle class joint family comprising of the old patriarch, the elder son and pregnant wife with three daughters, and the youngest son Haider and his wife Mumtaz.<\/p>\n<p>As the Rana\u2019s eagerly anticipate the birth of a baby boy to continue their family line, Haider secretly takes up a job as a background dancer at an erotic theatre where he is drawn to an ambitious trans starlet, Biba. Slowly yet suddenly, Haider and Biba are engulfed in a secret summer romance which surreptitiously takes over his home, unraveling the dichotomy between desire and morality for the entire Rana family.<\/p>\n\n<\/div><h2 class=\"tabtitle\">Director<\/h2>\n<div class=\"tabcontent\">\n\n<p><strong><div class=\"sutradara\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1262 alignleft\" src=\"http:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Saim.jpg\" alt=\"\" width=\"417\" height=\"500\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Saim.jpg 417w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Saim-250x300.jpg 250w\" sizes=\"auto, (max-width: 417px) 85vw, 417px\" \/><\/div>Saim Sadiq<\/strong> is a Pakistani filmmaker whose film JOYLAND is the first Pakistani feature that premiered at the 75th Cannes Film Festival in Un Certain Regard.<\/p>\n<p>His short film DARLING was the first Pakistani film to premiere at the 76th Venice Film Festival, where it won the Orrizonti Prize for Best Short Film. DARLING was also an official selection at the Toronto International Film Festival 2019, won a Special Jury Mention award at South by Southwest 2020 and was acquired for distribution by Focus Features.<\/p>\n<p>His previous short film NICE TALKING TO YOU was an official selection at South by Southwest 2019, Palm Springs International Shortsfest 2019, made the BAFTA Shortlist for Best Student Film and won Vimeo\u2019s Best Director award at Columbia University Film Festival 2018. It also won the Kodak Student Scholarship Gold Award.<\/p>\n<p>Sadiq recently wrote the original pilot \u201cIt Never Rains in Cairo\u201d for MakeReady with Brad Weston and<br \/>\nScott Silver executive producing. Currently, he is writing the film adaptation of New York Times bestseller &#8220;Hotel on the Corner of Bitter and Sweet\u2019\u2019; Oscar-nominated Bing Liu is attached to direct. Sadiq received his bachelor\u2019s degree in anthropology from the Lahore University of Management Sciences and his MFA in film directing from Columbia University.<\/p>\n\n<\/div><h2 class=\"tabtitle\">Photos<\/h2>\n<div class=\"tabcontent\">\n\n<div id='gallery-1' class='gallery galleryid-1249 gallery-columns-2 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-1st-Approved-Still.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"623\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-1st-Approved-Still.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-1st-Approved-Still.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-1st-Approved-Still-300x234.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-1st-Approved-Still-768x598.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-2nd-Approved-Still.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"624\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-2nd-Approved-Still.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-2nd-Approved-Still.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-2nd-Approved-Still-300x234.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Joyland_Official-2nd-Approved-Still-768x599.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<\/div><\/div><\/div>\n<p>&nbsp;<\/p>\n<h1>Love Life <span style=\"font-size: 18pt;\">(Jepang | 2022 | 123 Minutes)<\/span><\/h1>\n<p><strong>In Competition at Venice Film Festival<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td><span style=\"color: #ff9900;\"><strong>18 Oct 13.00 Park 23 XXI Studio 2<\/strong><\/span><\/td>\n<td><span style=\"color: #ff9900;\"><strong>20 Oct 17.00 Beachwalk XXI Studio 2<\/strong><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"gca-column one-half first\"><p><div class=\"sutradara\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1268\" src=\"http:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_1-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_1-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_1-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS-300x200.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_1-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/div><\/p><\/div>\n<div class=\"gca-column one-half\"><div class=\"responsive-tabs\">\n<h2 class=\"tabtitle\">Synopsis<\/h2>\n<div class=\"tabcontent\">\n\n<p>Taeko and her husband Jiro are living a peaceful existence with her young son Keita, when a tragic accident brings the boy\u2019s long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.<\/p>\n\n<\/div><h2 class=\"tabtitle\">Director<\/h2>\n<div class=\"tabcontent\">\n\n<p><div class=\"sutradara\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1270 alignleft\" src=\"http:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Koji.jpg\" alt=\"\" width=\"417\" height=\"500\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Koji.jpg 417w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Koji-250x300.jpg 250w\" sizes=\"auto, (max-width: 417px) 85vw, 417px\" \/><\/div><strong>Koji Fukada<\/strong> was born in 1980 in Tokyo. He attended Faculty of Literature at Taisho University and began taking classes in filmmaking at the same time at Film School of Tokyo in 1999.<br \/>\nAfter making his first feature film The Chair, he joined the Seinendan theatrical company headed by Oriza Hirata in 2005. Fukada made Hospitalit\u00e9 (Kantai) in 2010 and Au revoir l&#8217;\u00e9t\u00e9 (Hotori no Sakuko) in 2013. His film Harmonium won the Jury Award in the Un Certain Regard section at Cannes 2016.<br \/>\nIn 2018, Fukada was awarded Chevalier of Ordre des Arts et des Lettres in France and made The Man from the Sea (Umi wo Kakeru) a film shot in Indonesia.<br \/>\nIn 2019, his feature film A Girl Missing (Yokogao) is selected at Locarno Film Festival. In the same year, Fukada made a TV series The Real Thing (Honki no Shirushi : Gekijo ban) for the Japanese television. He edited the series into a 228 minutes feature which has received the Cannes label 2020.<br \/>\nTogether with directors like Hirokazu Kore-eda and Nobuhiro Suwa he campaigns for the<br \/>\ncreation of a Japanese CNC.<\/p>\n\n<\/div><h2 class=\"tabtitle\">Photos<\/h2>\n<div class=\"tabcontent\">\n\n<div id='gallery-2' class='gallery galleryid-1249 gallery-columns-2 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_1-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_1-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_1-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_1-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS-300x200.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_1-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_2-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_2-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS-2.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_2-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS-2.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_2-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS-2-300x200.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/LOVE-LIFE_2-c-2022-LOVE-LIFE-FILM-PARTNERS-_-COMME-DES-CINEMAS-2-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n\n<\/div><h2 class=\"tabtitle\">Trailer<\/h2>\n<div class=\"tabcontent\">\n\n\t\t<div class=\"rve-embed-responsive rve-embed-responsive-16by9\">\n\t\t\t<iframe class=\"rve-embed-responsive-item\" src=\"https:\/\/www.youtube.com\/embed\/7ZM5yp_m-Ug\" allowfullscreen><\/iframe>\n\t\t<\/div>\n<\/div><\/div><\/div>\n<p>&nbsp;<\/p>\n<h1>The Novelist\u2019s Film <span style=\"font-size: 18pt;\">(Korea Selatan | 2022 | 92 Minutes)<\/span><\/h1>\n<p><span style=\"font-size: 18pt;\">\u00a0<\/span><strong>Grand Jury Prize Award at Berlin Film Festival<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td><span style=\"color: #ff9900;\"><strong>19 Oct 13.00 Park 23 XXI Studio 2<\/strong><\/span><\/td>\n<td><span style=\"color: #ff9900;\"><strong>20 Oct 15.00 Beachwalk XXI Studio 2<\/strong><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"gca-column one-half first\"><p><div class=\"sutradara\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1284\" src=\"http:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Feature_the-novelist.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Feature_the-novelist.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Feature_the-novelist-300x200.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Feature_the-novelist-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/div><\/p><\/div>\n<div class=\"gca-column one-half\"><div class=\"responsive-tabs\">\n<h2 class=\"tabtitle\">Synopsis<\/h2>\n<div class=\"tabcontent\">\n\n<p>A female novelist takes a long trip to visit a bookstore, run by a younger colleague who has fallen out of touch. Then she goes up a tower on her own and runs into a film director and his wife. They take a walk in a park and meet an actress, after which the novelist tries to convince the actress to make a film with her. She and the actress get something to eat, then revisit the bookstore where a group of people are drinking. The actress gets drunk and falls asleep&#8230;<\/p>\n\n<\/div><h2 class=\"tabtitle\">Director<\/h2>\n<div class=\"tabcontent\">\n\n<p><div class=\"sutradara\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1294 alignleft\" src=\"http:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Hong-Sang-Soo.jpg\" alt=\"\" width=\"417\" height=\"500\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Hong-Sang-Soo.jpg 417w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Hong-Sang-Soo-250x300.jpg 250w\" sizes=\"auto, (max-width: 417px) 85vw, 417px\" \/><\/div><strong>Hong Sang Soo<\/strong> was born in Seoul, Korea in oct. 25th 1960 and studied at Chungang University, California College of Arts, the school of Art Institute of Chicago.\u00a0Made the first feature film in 1996. Since then he made 26 feature films and a few short films.\u00a0Currently is teaching at Konkuk University in Seoul.<\/p>\n\n<\/div><h2 class=\"tabtitle\">Photos<\/h2>\n<div class=\"tabcontent\">\n\n<div id='gallery-3' class='gallery galleryid-1249 gallery-columns-2 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_1.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_1.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_1-300x169.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_1-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_2.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_2.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_2-300x169.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_2-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_3.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_3.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_3-300x169.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_3-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_4.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_4.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_4.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_4-300x169.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/The-Novelists-film_4-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n\n<\/div><h2 class=\"tabtitle\">Trailer<\/h2>\n<div class=\"tabcontent\">\n\n\t\t<div class=\"rve-embed-responsive rve-embed-responsive-16by9\">\n\t\t\t<iframe class=\"rve-embed-responsive-item\" src=\"https:\/\/www.youtube.com\/embed\/4d1j5GDr5xw\" allowfullscreen><\/iframe>\n\t\t<\/div>\n<\/div><\/div><\/div>\n<p>&nbsp;<\/p>\n<h1>Return To Seoul <span style=\"font-size: 18pt;\">(Jerman\/ Prancis\/ Belgia | 2022 | 116 Minutes)<\/span><\/h1>\n<p>Official Selection at Cannes Film Festival<\/p>\n<table>\n<tbody>\n<tr>\n<td><span style=\"color: #ff9900;\"><strong>18 Oct 13.00 Beachwalk XXI Studio 2<\/strong><\/span><\/td>\n<td><span style=\"color: #ff9900;\"><strong>20 Oct 19.30 Park 23 XXI Studio 2<\/strong><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"gca-column one-half first\"><p><div class=\"sutradara\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1303\" src=\"http:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-1.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-1.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-1-300x200.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-1-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/div><\/p><\/div>\n<div class=\"gca-column one-half\"><div class=\"responsive-tabs\">\n<h2 class=\"tabtitle\">Synopsis<\/h2>\n<div class=\"tabcontent\">\n\n<p>On an impulse to reconnect with her origins, Freddie, 25, returns to South Korea for the first<br \/>\ntime, where she was born before being adopted and raised in France. The headstrong young<br \/>\nwoman starts looking for her biological parents in a country she knows so little about, taking<br \/>\nher life in new and unexpected directions.<\/p>\n\n<\/div><h2 class=\"tabtitle\">Director<\/h2>\n<div class=\"tabcontent\">\n\n<p><div class=\"sutradara\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1298 alignleft\" src=\"http:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Davy-Chou.jpg\" alt=\"\" width=\"417\" height=\"500\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Davy-Chou.jpg 417w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/Director_Davy-Chou-250x300.jpg 250w\" sizes=\"auto, (max-width: 417px) 85vw, 417px\" \/><\/div><strong>Davy Chou<\/strong> is a French director and producer born in 1983, based between Paris and Phnom Penh.<br \/>\nHe co-founded the French production company Vycky Films and the Cambodian production<br \/>\ncompany Anti-Archive.<\/p>\n<p>Grandson of Cambodian producer Van Chann, Davy Chou directed in 2011 \u201cGolden Slumbers\u201d<br \/>\n(Forum &#8211; Berlinale 2012), a documentary about the birth of Cambodian cinema in the 1960s and its brutal destruction by the Khmer Rouge in 1975. He has also directed several short films including \u201cCambodia 2099\u201d (Directors&#8217; Fortnight &#8211; Cannes 2014).<\/p>\n<p>His first feature, &#8220;Diamond Island&#8221;, produced by Aurora Films and co-produced by Anti-Archive<br \/>\nand Vandertastic, was awarded the SACD Prize at Critics\u2019 Week- Cannes 2016.<\/p>\n<p>His second feature, &#8220;Return to Seoul&#8221;, produced by Aurora Films and co-produced by Vandertastic and Frakas Productions, is selected at Un Certain Regard \u2013 Cannes 2022.<\/p>\n<p>In parallel, Davy Chou continues his activity as a producer: he has recently produced Cambodian filmmakers, including Kavich Neang (&#8220;White Building&#8221; &#8211; Venice Film Festival 2021)<br \/>\nand was also line producer on &#8220;Onoda: 10,000 Nights in the Jungle&#8221; by Arthur Harari (Un<br \/>\nCertain Regard \u2013 Cannes 2021).<\/p>\n\n<\/div><h2 class=\"tabtitle\">Photos<\/h2>\n<div class=\"tabcontent\">\n\n<div id='gallery-4' class='gallery galleryid-1249 gallery-columns-2 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"432\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-2.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-2.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-2-300x162.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-2-768x415.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-low-res-c-aurora-films.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"432\" src=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-low-res-c-aurora-films.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-low-res-c-aurora-films.jpg 800w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-low-res-c-aurora-films-300x162.jpg 300w, https:\/\/www.balimakaryafilmfestival.id\/wp-content\/uploads\/2022\/09\/return-to-seoul-low-res-c-aurora-films-768x415.jpg 768w\" sizes=\"auto, (max-width: 800px) 85vw, 800px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n\n<\/div><h2 class=\"tabtitle\">Trailer<\/h2>\n<div class=\"tabcontent\">\n\n\t\t<div class=\"rve-embed-responsive rve-embed-responsive-16by9\">\n\t\t\t<iframe class=\"rve-embed-responsive-item\" src=\"https:\/\/www.cineuropa.org\/en\/videoembed\/430331\/rdid\/425198\/\" allowfullscreen><\/iframe>\n\t\t<\/div>\n<\/div><\/div><\/div>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>Joyland (Pakistan\/AS | 2022 | 126 Minutes) Official Selection at Cannes Film Festival 19 Oct 13.00 Beachwalk XXI Studio 2 20 Oct 17.00 Park 23 XXI Studio 2 &nbsp; Love Life (Jepang | 2022 | 123 Minutes) In Competition at Venice Film Festival 18 Oct 13.00 Park 23 XXI Studio 2 20 Oct 17.00 Beachwalk &hellip; <a href=\"https:\/\/www.balimakaryafilmfestival.id\/en\/program-film\/the-other-side-of-asia\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Other Side of Asia&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":571,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-nosidebar.php","meta":{"footnotes":""},"class_list":["post-1249","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.balimakaryafilmfestival.id\/en\/wp-json\/wp\/v2\/pages\/1249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.balimakaryafilmfestival.id\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.balimakaryafilmfestival.id\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.balimakaryafilmfestival.id\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.balimakaryafilmfestival.id\/en\/wp-json\/wp\/v2\/comments?post=1249"}],"version-history":[{"count":22,"href":"https:\/\/www.balimakaryafilmfestival.id\/en\/wp-json\/wp\/v2\/pages\/1249\/revisions"}],"predecessor-version":[{"id":1598,"href":"https:\/\/www.balimakaryafilmfestival.id\/en\/wp-json\/wp\/v2\/pages\/1249\/revisions\/1598"}],"up":[{"embeddable":true,"href":"https:\/\/www.balimakaryafilmfestival.id\/en\/wp-json\/wp\/v2\/pages\/571"}],"wp:attachment":[{"href":"https:\/\/www.balimakaryafilmfestival.id\/en\/wp-json\/wp\/v2\/media?parent=1249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}